He also saves his sister, Sue Lorfirst from an inappropriate encounter and then after her horrific rape. Ironically, Kowalski ends up being a role model for Thoa. With his death, the community moves closer to an understanding that he has sacrificed for change and that change must happen. This major plot line is encircled with the constant violence of Mexican and Korean gangs.
The moving away from the violence is in part due to cultural acceptance and a realization that the community does matter and that Walt can make a change. His change occurs when a young man from the Hmong culture of Southeast Asia moves next door. The next to last scene of the movie is a blaze of gunshots and tragedy.
This scene is not surprise, as the movie has been headed this way since the first scene. The reading of the will at the end of the movie provides a neat and unexpected ending symbolizing change for the better in the neighborhood.
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The violence starts with language and suggested weapons, and ends up with strong violence including rape and eventual death of Kowalski. This Eastwood classic and masterpiece shows violence, the moving away from violence, and change due to the removal of violence. The movie is played out in dark shadows, violence, and anger, but the violence, moving away from violence, and eventual death of Walt all show that changes is coming and that the change is positive.
Walt never actually pulls his gun, and shadows representing darkness unload bullets on his body. Accepting the neighbors is hard enough and then the young man, Vang Thoa Lor, tries to steal the sacred Garn Torino as a gang ritual.
Angry and sullen Korean War veteran, Walt Kowalski, has to learn to live with his Korean neighbors and accept that his neighborhood is in drastic need of change and cultural acceptance.
The young man has distinct cultural differences to the Detroit born and bred Kowalski. After the brutal rape and beating of Thoa, there is no looking back, Walt must make a stand against the gang members in the community."Gran Torino," directed by Clint Eastwood, is a very moving and captivating drama.
It's a simple story about tolerance and cultural differences, but also one of hope, self-sacrifice, and unlikely friendships.
Starter text response: Gran Torino ‘Gran Torino’ is a film full of symbols of hope and redemption.
Discuss. In his film ‘Gran Torino’, Clint Eastwood tells the story of an unlikely relationship between Korean War veteran Walt Kowalski and his Hmong neighbours Thao and Sue.
In Gran Torino, the central social problem is racism and gender stereotyping. All conflict of from the movie derives from the racial discrimination between the characters. In the beginning of the movie, it is obvious that Walt is blatantly racist, especially towards those of Asian descent.
This is 3/5(3). Gran Torino Film Critique Gran Torino Film Critique ENG March 17, Gran Torino Film Critique Gran Torino is a drama about redemption, helping others, and demonstrates how we are all the same regardless of cultural differences. Gran Torino Essay Gina Lawence English Gran Torino (final draft) In the Eye of the Beholder The film Gran Torino allows Clint Eastwood directs and plays a role that depicts an older man dealing with lost love, life and death, hauntings from the past, and managing his own racial biases.
Gran Torino is a very recent example of classical Hollywood narrative. The film follows the structure of: introduction, rising action, climax, falling action, and then conclusion.Download